Дизайн для реального мира

New York: Horizon, 1957. Neumann, Erich. The Great Mother: An Analysis of the Archetype.

London: Routledge & Kegan Paul, 1955. Neutra, Richard. Survival through Design. New York: Oxford University Press, 1954. Nielsen, Vladimir. The Cinema as Graphic Art. New York: Hill & Wang, 1959.

Okaley, Kenneth P. Man the Tool-maker. London: British Museum, 1963. Ozenfant, Amedee. Foundations of Modern Art. New York: Dover, 1952. Panofsky, Erwin. Gothic Architecture and Scholasticism. Latrobe, Pennsylvania: Archabbey Press, 1951. ___. Meaning in the Visual Arts. Middlesex: Penguin, 1970. Rapoport, Amos. House, Form and Culture. Englewood Cliffs, New Jersey: Prentice-Hall, 1969. Read, Sir Herbert. The Grass Roots of Art. New York: Wittenborn, 1955. ___. Icon and Idea? London: Faber, 1955. ___. The Philosophy of Modem Art. London: Faber, 1965. Rosenberg, Harold. The Tradition of the New. London: Paladin, 1970. Sahlins, Marshall. Stone Age Economics. London: Tavistock Publications, 1974. Scheidig, Walther. Crafts of the Weimar Bauhaus. London: Studio Vista, 1967. Sempter, Gottfried. Wissenschaft, Industrie und Kunst. Mainz, Germany: Pierian Kupferberg, 1966 Singer, Charles (ed.). A History of Technology. 5 vols. Oxford University Press, 1954-1958. Snaith, William. The Irresponsible Arts. New York: Atheneum, 1964 . Thomson, E.P. William Morris: Romantic to Revolutionar y. New York: Pantheon, 1977. Von Neumann. Game Theory. Cambridge, Massachusetts: M.I.T. Press, 1953. Willet, John. Art & Politics in the Weimar Period. New York: Pantheon, 1978. Wingler, Yans M. The Bauhaus. Cambridge, Massachusetts: M.I.T. Press, 1969. Youngblood, Gene. The Expanded Cinema . London: Studio Vista, 1971. Albers, Anni. On Designing. New Haven, Connecticut: Pellango Press, 1959. Anderson, Donald M. Elements of Design. New York: Holt, Rinehart & Winston, 1961. Art Directors' Club of New York. Symbology. New York: Hastings House, i960. ___. Visual Communication: International. New York: Hastings House, 1961. Baker, Stephen . Visual Persuasion. New York: McGraw-Hill, 1961. Bayer, Herbert . Visual Communication, Architecture, Painting. New York: Reinhold, 1967. Bill, Max. Form. Basel, Switzerland: Karl Werner, 1952. Text in German, English, French. Doxiadis, Constantinos. Architecture in Transition. London: Hutchinson, 1965. Практика дизайна и его философия

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